Bach’s famous Bourrée from his first lute suite, better known to guitarists as ‘ Bourrée in E minor’, is an intermediate-level piece often transcribed for classical.

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Of course many of the harmonies I indicated are conjecture on my part since we do not have full chords to work with.

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From Wikipedia, the free encyclopedia. This makes the job of harmonic analysis much easier.

ninor We use cookies on this site to enhance your user experience By clicking any link on this page you are giving your consent for us to set cookies. Now I just transferred the data from paper to MuseScore. This has been sort of experiment. It is this perfect marriage of the linear horizontal and harmonic vertical aspects of the writing that makes his music so successful. By using this site, you agree to the Terms of Use and Privacy Policy.

I liked especially the fingering hints.

Bourrée in E minor – Wikipedia

This page was last edited on 3 Decemberat Try again avysk worked hard on this score. Retrieved from ” http: Just have also a look to the video score there! ChrysalisIslandRepriseFontana. The harmonic rhythm is at the quarter-note level or on every beat as would be common in most Bach chorales.


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Suites ; For lautenwerck ; Scores featuring the lautenwerck ; For harp arr ; For 1 player ; Scores featuring the harp ; For harpsichord arr ; Scores featuring the harpsichord ; For lute arr ; Scores featuring the lute ; For guitar arr ; Scores featuring the guitar ; For piano arr ; Scores featuring the piano. Performed on a lautenwerck by Martha Goldstein. Compositions by Johann Sebastian Bach.

These file s are part of the Werner Icking Music Collection. Update Required To play the media you will need to either update your boureee to a recent version or update your Flash plugin.

Bach-Gesellschaft AusgabeBand Listening to the youtube video you will see that your version has more affinity to the “classical” technique. Creative Commons Zero 1.

J. S. Bach – Bourrée in E minor, BWV sheet music download free in PDF or MIDI

Javascript is required for this feature. Creative Commons copyright waiver. Now Available as an E-book. Handbook of Guitar and Lute Composers. Copyist Johann Gottfried Walther — Guitar Exercises for Dummies. Creative Commons Attribution-NonCommercial 4. In this case, E minor moving to G major relative major at the cadence of part one, continuing in G major in part two and returning to E minor by the final bxch. Or, if Bach were to compose this piece as a chorale for four voices, what harmony would he use when filling biurree the inner parts?


Give a small token of appreciation! The paper that I had as a template was written for two flutes I don’t know why it has been transposed into a-minor. My analysis shows the implied harmony above the staff using chord symbols with Roman numeral analysis below.

Voice leading in and of itself can be enough to generate interesting music, but without a clear harmonic plan the music will lack direction. These as well as other measures where skips occur in either the melody or bass line imply three part texture. But I thought by bacb way that maintaining quasi two soprano voices should have a surprising effect.

Robert Schumann quotes the first 14 notes of this memorable theme transposed to G minor in 3 of the Op. There also appears to be an echo of this reference in the next fugue, 4.